Articles

From rational mechanistic culture to the presence of the "sonic" media worlds experienced unnoticed through listening to the music of EVERY BODY.

Loudspeakers are more than just technical devices. How "listening in transition" can be designed and what makes loudspeakers so fascinating as a material.

Why experiment with sound using software? Sound and coding in my practice as a composer, researcher and teacher.

Which came first - the sound or the room? In search of the right sound, I rediscover the potential of Ambisonics.

How composers use the medium of sound in contrast to writing as a process-oriented score for musicians by means of new methods.

A guide to using spatial effects in multi-channel live-sets and implementing automation for return tracks in Ableton Live.

The exemplary history of interfaces in electronic music - or how the switch became a pixel.

Overview of projects that use bass instruments as a starting point for research into different tactile approaches.

Active instead of passive: self-determined handling of complex technologies, active and critical shaping of our lives with them - discursive instead of control.

Devil's Music (1985) - a performance about the global media, local culture and the interference of the individual.

Experience with analog modular synthesizers and no-input mixers after decades of making digital music with computers and self-written software.

Explore key moments in 3D sound installations designed to immerse listeners in urban soundscapes and reveal hidden sonic features.

A short selection of listening exercises that are usually suggested during workshops, sound walks or lectures on listening awareness.