Articles

Why experiment with sound using software? Sound and coding in my practice as a composer, researcher and teacher.

Which came first - the sound or the room? In search of the right sound, I rediscover the potential of Ambisonics.

How composers use the medium of sound in contrast to writing as a process-oriented score for musicians by means of new methods.

A guide to using spatial effects in multi-channel live-sets and implementing automation for return tracks in Ableton Live.

The exemplary history of interfaces in electronic music - or how the switch became a pixel.

Overview of projects that use bass instruments as a starting point for research into different tactile approaches.

Active instead of passive: self-determined handling of complex technologies, active and critical shaping of our lives with them - discursive instead of control.

Devil's Music (1985) - a performance about the global media, local culture and the interference of the individual.

Experience with analog modular synthesizers and no-input mixers after decades of making digital music with computers and self-written software.

Explore key moments in 3D sound installations designed to immerse listeners in urban soundscapes and reveal hidden sonic features.

A short selection of listening exercises that are usually suggested during workshops, sound walks or lectures on listening awareness.