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Eliane Radigue started her electronic music career in the 1950s. A student of Pierre Schaeffer, she later became assistant to Pierre Henry. Eliane first started exploring pieces using feedback techniques and later adopted the ARP 2500 modular system,, which she used as her instrument for more than 30 years. In 2000 she created her last piece for the APR and tape, L’Ile Re-Sonante, for which she received the Ars Electronica Golden Nica. Since 2001 she has composed mostly for acoustic instruments. Major works include Geerliande, Adnos, Jestun Mila, Trilogie de la Mort, Naldjorlak and the more recent OCCAM series. Recent publications exploring the life and work of Eliane Radigue: “Eliane Radigue - Intermediaty Spaces, Espaces Intermédiaires” Julia Eckhardt (Umland Editions), “Entretiens avec Eliane Radigue” Bernard Girard (Editions Aedam Musicae), and “Eliane Radigue – Portraits Polychromes” (Institut National de l’audiovisuel) |