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Selected artists will develop and present new projects that explore how technology can deepen our understanding of the world, provoke new ideas, and ignite the imagination. Each artist will receive a $5,000 commission — consisting of a $2,000 artist fee and $3,000 allocated for T.E.A.M. Lab activities, including research, production, programming, and prototyping — to produce a new work integrating technology, sound, and visual art. Residencies take place at Harvestworks’ Technology, Engineering, Art and Music Lab (T.E.A.M.) in New York City — a creative hub dedicated to advancing experimental art forms that merge disciplines, challenge boundaries, and inspire innovation.
listen with Fixed Media Works for Listening Session Sonic Nomads is a sound art festival curated by Transients, focusing on field recording and deep listening. The festival explores various sonic practices that emerge between place, movement, documentation, and listening, introducing sound works and listening experiences based on field recording. The 2026 edition of Sonic Nomads will take place under the theme listen with. Who do we listen with? What do we listen with? In what kind of space do we listen? Listening with others, with places, with memories, or with non-human presences — the interpretation is open to each artist. Sonic Nomads 2026 will take place from October 22 to 25, 2026, at SNU Power Plant, Seoul National University, Seoul, South Korea. We are looking for fixed media sound works based on field recording, which propose unique ways of listening, recording, and sensing the world.
We happily announce the call for Europe's Tenth Student 3D Audio Production Competition, and IEM Graz will host the event in cooperation with vdt (German tonmeisters) and Sounding Future and present the final ranks of the finalists in a public ceremony at Ligeti hall in Graz (Nov. 13th) live and via internet live stream, complemented by on-demand browser playback via Cat3DA (see https://tonmeister.org/en/rubrics/3d-audio-competition/2025/ for last year's finalists). Also this year, the Austrian ORF Ö1 radio station and its contemporary music festival ORF musikprotokoll will be our partners to host a pre-final public presentation (Oct. 8th 2026) of the category 1 finalists at Dom im Berg, Graz. We encourage all students who deal with spatial music, spatial recording, or who are interested in spatial-ized sound to participate by submitting short works to the 10th Student 3D Audio Production Competition.
˚Sound and image, stretched into space. - We’re inviting artists and collectives to develop audiovisual works for full-dome projection at the @planetariumsouthtyrol. A format where scale shifts, perception bends, and the work surrounds you completely. - Open to composers and visual artists, individually or as collectives. You can submit a new project or an existing one, as long as it responds to the dome. - ☽ Three selected works will be presented at Symphoria in autumn 2026, each receiving a €1200 award.
MUSLAB opens its call for projects 2026: Composers and visual artists of any age, gender, or nationality are invited to participate by submitting their electroacoustic music or video art works to the MUSLAB 2026 International Electroacoustic Music Showcase. Guidelines: Work specifications.
The Korea Electro-Acoustic Music Society (KEAMS) proudly announces the Seoul International Computer Music Festival 2026 (SICMF 2026). Festival Theme – Tradition and Contemporary Electro-Acoustic Music SICMF 2026 particularly welcomes works that engage with traditional music, including but not limited to: * Traditional musical materials, aesthetics, or performance practices * The use of traditional instruments in electro-acoustic or computer music * Contemporary or experimental reinterpretations of traditional music Works that do not include traditional music elements are also welcome and will be fully considered. All submitted works are evaluated equally; however, works related to the festival theme may be given priority during the selection process.
Apply to the British Electroacoustic Network call for works to have your music represent the UK at the International Confederation of Electroacoustic Music, CIME General Assembly taking place in Zurich, Switzerland. All works will be judged by the BEAN committee. Along with the CIME selected works, a shortlist of pieces from BEAN members be selected for with opportunities for programming and performance throughout the year, and promotion across the BEAN platform. We are committed to representing the diversity present in British electroacoustic music, and as such we especially welcome applications from artists from minority and underrepresented backgrounds. We accept fixed media, instrument(s) and electronics, and audio-visual works in stereo and multichannel formats composed after the 1st Jan 2024.
As part of the Ars Electronica Festival 2026, Sonic Saturday invites submissions of fixed media works for presentation in our MEDIUM SONORUM concert and Listening Room sessions. This year’s theme, “Audible Futures, Silent Decisions”, invites works that explore how futures are shaped through sonic practices and the decisions embedded within them. Rather than imagining the future as something distant, we consider how it is already unfolding through choices: what is made audible, what is simulated, what is enhanced, and what is left aside. Listening becomes a site where realities are constructed and negotiated. In digital and spatial sound practices, artists operate within systems that increasingly mediate and automate these processes. We are interested in works that engage with these conditions, questioning how sonic environments can function as spaces for reflection, experimentation, and the shaping of possible futures.
The CultureHub Residency Program supports artists experimenting with emerging technologies in search of new artistic forms. We are seeking artists developing work that is both critically and imaginatively informed by technology. Residencies are open to artists living and working in Los Angeles, CA and New York, NY. CultureHub Los Angeles will continue to expand our local residency program and offer residents time to target specific areas of their project’s development. Three residents will receive one-two weeks of time, space, technical support, and presentation opportunities in the LA studio. Projects can take advantage of CultureHub LA’s 5:1 Kalio Audio surround system, modular studio configuration, and flexible exhibition space. We encourage proposals for immersive audio environments, installations, experimental spatial design, tech-infused textiles/sculpture, and sensory/physical exploration.
Dirty Deal Audio in collaboration with Laidi Palace artist residency for the second year is launching an interdisciplinary residency programme focused on immersive performance and music productions. The residency offers a platform to explore sound and the local human and non-human communities of Kurzeme, Latvia. We welcome applications from sound artists, composers and performance makers across genres.
We are thrilled to continue the Global Sonic Research Residency 2026 at ZKM | Hertzlab, partnering with Arts Council Korea (ARKO) and the European Center for the Arts HELLERAU. This year, we select one Korean artist/researcher in addition to an already chosen artist/researcher roster, working at the frontiers of sonic arts to craft an immersive spatial sound experience probing the theme »Exoplanetary Voices«. This residency spans two premier European hubs for spatial sound and performance: ZKM | Hertzlab in Karlsruhe and HELLERAU in Dresden. Proposals should harness spatial audio to speculate on alien listening, extraterrestrial longings and human-exophonic entanglements.
